A ‘Physical Modelling’ based 4 manual instrument with 68 illuminated draw stops in a luxury real wood veneer terraced style console. It has a huge internal library allowing the user to create 4 totally individual voice pallets from classic English through Baroque and Romantic. It benefits from a full complement of divisional thumb pistons and additional toe pistons. There are also speakers in the side panels and tweeters above the swell manual to create a full 3 dimension sound field for exciting home practice.
- 4 x 61-note tracker touch keyboards with touch sensitivity for orchestral voices
- 32-note radiating and concave pedalboard
- 68 speaking stops with hundreds of alternatives from internal memory bank
- Illuminated draw stops
- 4 preset organ styles – English, Baroque, Romantic and Symphonic
- 4 adjustable User styles
- 18 alternative temperaments
- Tremulants fully adjustable for speed and depth
- Voicing controls in draw below keyboard shelf
- Dark, Medium or Light oak real wood veneer console
- Adjustable music desk
- Swell, Solo and Choir expression pedals
- 8 General pistons duplicated by toe pistons
- 16 capture memories
- 6 thumb pistons to Swell, Great and Choir
- 6 toe pistons to Pedal Gt/Ped, Sw/Ped, Ch/Ped, Sw/Gt, Ch/Gt, Sw/Ch
- reversible thumb pistons Gt/Ped, Sw/Ped, Sw/Gt
- reversible toe pistons Tutti and 32’ Pedal reed reverser toe pistons
- Gt and Ped combinations coupled 2 sequencer previous and next pistons
- Gt/Ch keyboard inversion
- Transposer with –6/+5 semitone range
- 74 inches wide
- 54 inches high
- 31 inches deep (47 inches with pedal board)
- weight 471 lbs
- 13 internal speakers driven by 9 independent audio channels
- 8 at 60 watts and 1 at 100 watts
Pedal | Great | Swell | Choir | Solo | |||||
Double Open Wood | 32 | Double Diapason | 16 | Bourdon | 16 | Quintaton | 16 | Contra Viole | 16 |
Open Wood | 16 | Open Diapason I | 8 | Geigen Diapason | 8 | Open Diapason | 8 | Harmonic Flute | 8 |
Open Metal | 16 | Open Diapason II | 8 | Chimney Flute | 8 | Gedackt | 8 | Viole d'Orchestre | 8 |
Bourdon | 16 | Claribel Flute | 8 | Lieblich Gedackt | 8 | Dulciana | 8 | Viole Celeste | 8 |
Principal | 8 | Stopped Diapason | 8 | Echo Gamba | 8 | Unda Maris | 8 | Viole Octivante | 4 |
Bass Flute | 8 | Principal | 4 | Vox Angelica | 8 | Principal | 4 | Concert Flute | 4 |
Choral Bass | 4 | Harmonic Flute | 4 | Geigen Principal | 4 | Lieblich Flute | 4 | Piccolo | 2 |
Mixture | IV | Twelfth | '2-2/3 | Wald Flute | 4 | Flageolet | 2 | Corno di Bassetto | 8 |
Contra Bombarde | 32 | Fifteenth | 2 | Nazard | '2-2/3 | Larigot | '1-1/3 | Orchestral Oboe | 8 |
Trombone | 16 | Grand Cornet | V | Fifteenth | 2 | Piccolo | 1 | Tuba Mirabilis | 8 |
Bassoon | 16 | Mixture | IV | Tierce | '1-3/5 | Mixture | III | ||
Trumpet | 8 | Sharp Mixture | III | Mixture | IV | Cor Anglais | 16 | ||
Double Trumpet | 16 | Contra Fagotto | 16 | Clarinet | 8 | ||||
Trumpet | 8 | Cornopean | 8 | Tuba | 8 | ||||
Clarion | 4 | Oboe | 8 | ||||||
Vox Humana | 8 | ||||||||
Clarion | 4 | ||||||||
Great to Pedal | Tremulant | Tremulant | Tremulant | Tremulant | |||||
Swell to Pedal | Swell to Great | Solo to Swell | Swell to Choir | ||||||
Choir to Pedal | Choir to Great | Solo to Choir | |||||||
Solo to Pedal | Solo to Great |