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Bass Collection Guy Pratt “Betsy” Bass in Burgundy Mist

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Original price was: £745.00.Current price is: £729.00.

Includes Gig Bag
  • Basswood Body
  • Super Slim Sixties Maple Neck
  • Macassar Ebony Fingerboard
  • EMG Active J Pickups
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The Guy Pratt Betsy Bass in Burgundy Mist
RRP £745

A tribute to long term Bass Centre comrade Guy Pratt, this new addition to our British Bass Masters range is a glorious recreation of “Betsy”, the storied 1964 Jazz Bass which has been Guy’s go-to instrument for many years.

As he enthuses, “Betsy is the best bass guitar in the world. I’ll fight anyone who says otherwise! It has a little date carved inside it, June 7 1964, which I love because it’s my dad’s birthday, and it was him who gave me my first bass”.

Purchased from the legendary John Entwistle in 1987 after Guy’s mate Johnny Marr insisted that if they were going to play together he needed a Fender — a good one! (it was also Marr who inspired the nickname ‘Betsy’) — Guy collected the original 1964 Burgundy Mist beauty from the Bass Centre’s Wapping HQ in London, after a set-up by the store’s long-serving, in-house tech Chris Ward.

“It’s a fab instrument”
Fast forward to 2019 and Guy was searching for a new road-worthy, high performance instrument for his touring commitments with Saucerful of Secrets. Suitably impressed with the quality of the vintage themed Bass Collection range Guy, and Bass Centre MD Barry Moorhouse, struck upon the idea of a modern, commercial recreation of Betsy in all her glory, incorporating the Bass Centre’s “Super Slim Sixties” neck profile, period accurate detailing, and beautifully balanced, lightweight construction.

Like its namesake, the new Betsy is loaded with EMG’s superb, active, low-impedance J pickups. The original received an active upgrade during early rehearsals with Pink Floyd in August ’87, although not without controversy : “I said to my tech, Syd Price, one day, ‘These pickups are a bit quiet, maybe we should think about getting some new ones?’ — and the next morning, it had EMGs in it. I shouted ‘What the f*ck have you done? You can’t put EMGs in a ’64 Jazz!’ but when I plugged it in, it sounded amazing!”

Needless to say, the Betsy also comes complete with Guy’s strings of choice: “I play Elites roundwounds and have done for decades. They’re utterly reliable”.

Completing the circle, every new Betsy bass will have its pickups installed and be set up by none other than Chris Ward, still taking care of business in the Bass Centre workshop after 35 years!!

A versatile, stage and studio workhorse, Betsy — now available in original and black finishes — has been designed for Guy, not just to appease his own exacting standards, but also to deliver a superb, competitively priced instrument to modern players. The fact that Guy is using one for the demands of Saucerful Of Secrets is testament to the success of the project… “It’s a fab instrument, and very reasonably priced.”

bodyClassic Burgundy Mist or Black gloss finish with matching headstock and period-accurate, mint-green pickguard
neckSatin finish Bass Centre “Super Slim Sixties”® maple neck
FINGERBOARD20 fret Macassar ebony fingerboard with pearloid dot markers
pickupsEMG Active J pickups
bridgeVintage “Retro Roller” bridge with knurled saddles for string width adjustment
hardwareChrome control plate / Vintage style black control knobs / Bass “C” engraved 4-bolt chrome neck plate
stringsBass Centre Elites Stadium Series
extrasPremium quality Bass Centre padded gig bag included

“The Jury’s Still Out!”
Guy Pratt is an English singer, songwriter, composer, multi-instrumentalist, comedian and actor whose career took off at the tender age of 19, when he was asked to join Australian act, Icehouse for their prestigious support slot on David Bowie’s 1983 “Serious Moonlight” tour. This led to him being asked to perform with Robert Palmer, Bryan Ferry, Womack & Womack, and The Smiths (for a week!), before being promoted to the global bass premier league when David Gilmour selected him for Pink Floyd’s post-Roger Waters “Delicate Sound of Thunder” and “PULSE” world tours in 1987 and 1994. He also toured as part of Pink Floyd guitarist David Gilmour’s “On An Island” band.

Beyond the Floyd fam, Guy has also worked with Roxy Music, Michael Jackson, Madonna, Echo & The Bunnymen, Kirsty MacColl, Tears For Fears, Lemon Jelly, The Orb, All Saints, Stephen Duffy, Robbie Robertson, Tom Jones, Iggy Pop, Gary Moore, Whitesnake, Coverdale/Page, The Power Station, Bond, Natalie Imbruglia, The Pretenders and The Transit Kings (with The Orb’s Alex Paterson and Jimmy Cauty of The KLF) amongst many, many others.

As a composer, he has written TV scores for “Spaced”, “The Young Person’s Guide to Becoming a Rock Star”, the Vic Reeves re-boot of “Randall & Hopkirk (Deceased)” and Jimmy Nail’s “Crocodile Tears”, won a Grammy and been nominated for 2 Ivor Novello Awards and co-wrote Jimmy Nail’s UK Number 1 hit “Ain’t No Doubt”. Amazingly, Guy has also found time to present his one-man music and comedy show “My Bass & Other Animals” around the world, as well as write a best-selling book based on the show (a signed copy of which accompanies every purchase of the Betsy Bass).

In 2018 Guy joined Nick Mason’s Saucerful of Secrets (alongside Spandau Ballet guitarist and fellow Rockonteurs podcast presenter Gary Kemp), performing early Pink Floyd classics with the new Bass Centre Betsy now an integral part of his on-stage arsenal.

And, of course, Bass Centre Elites Strings have also been with him for the last 25+ years — even if, as he maintains, “the jury’s still out!!”