Viscount Ensign 51-FV
CALL 01524 410202 FOR MORE DETAILS/AVAILABILITY
Top of the new Ensign range, the 51-FV has a comprehensive specification of 51-speaking stops and many features any organist would expect to find on a modern pipe organ.
With three manuals and four alternative voicing styles it’s possible to register accurately the organ literature of many diverse composers, such as Franck, Howells, and Messiaen.
The traditional cabinet with locking fall are a benefit for churches, but the excellent internal amplification also makes the instrument ideal for home or school practice.
The 51-FV is available in both Dark and Light simulated wood finishes, and up to 4 channels of external amplification can also be added.
Features
3 x 61 note tracker touch keyboards, velocity sensitive for MIDI & orchestral voices
32-note radiating concave pedal board
51 tilt-tab speaking stops and 4 orchestral pistons
Alternative organ voices on each tab
English, Baroque, Romantic & Symphonic pipe sets + 3 user sets
19 alternative temperaments + 4 user programmes
Playings Aids
Swell & Choir expression pedals
Crescendo pedal (can be set as Great/Ped expresssion)
9 general pistons
6 divisional pistons to Sw/Gt/Ch/Ped
< > stepper pistons
Gt/Ped, SW/Gt, Next and Ped div toe pistons
99 Capture memories
Auto pedal function
2 Independent tremulants per division
Transposer + temperaments
Keyboard inversion
Dimensions
144cm (W) x 119cm (H) x 114.5cm (D) with pedal board (69cm without pedal board)
Weight 139KG
Audio
Stop by stop voicing
Independent volume adjustment of each division and stop
6 internal speakers (2 tweeter, 2 mid-range, 2 x 10′ sub-woofer)
4 x 150W per channel amplifiers
5 band graphic EQ
8 reverb types – fully adjustable
Stereo headphone socket
External outputs 4
Audio inputs L/R
MIDI in/out
USB type A & B
Pedal 10 | Great 12 | Swell 14 | Choir 11 | ||||
---|---|---|---|---|---|---|---|
Contra Violone | 32 | Open Diapason I | 8 | Bourdon | 16 | Open Diapason | 8 |
Open Wood | 16 | Open Diapason II | 8 | Open Diapason | 8 | Gedackt | 8 |
Violone | 16 | Gamba | 8 | Open Flute | 8 | Unda Maris | 8 |
Bourdon | 16 | Claribel Flute | 8 | Rohr Flute | 8 | Gemshorn | 4 |
Principal | 8 | Stopped Diapason | 8 | Salicional | 8 | Lieblich Flute | 4 |
Bass Flute | 8 | Principal | 4 | Voix Celeste | 8 | Nazard | 2-2/3 |
Choral Bass | 4 | Harmonic Flute | 4 | Principal | 4 | Flageolet | 2 |
Mixture | IV | Twelfth | 2-2/3 | Stopped Flute | 4 | Tierce | 1-3/5 |
Contra Bombarde | 32 | Fifteenth | 2 | Fifteenth | 2 | Larigot | 1-1/3 |
Trombone | 16 | Seventeenth | 1-3/5 | Sesquialtera | II | Mixture | III |
Trumpet | 8 | Full Mixture | IV | Mixture | IV | Clarinet | 8 |
Double Trumpet | 16 | Contra Fagotto | 16 | Tuba | 8 | ||
Trumpet | 8 | Cornopean | 8 | ||||
Oboe | 8 | ||||||
Clarion | 4 | ||||||
Great to Pedal | Tremulant | Tremulant | Tremulant | ||||
Swell to Pedal | Swell to Great | Swell to Choir | |||||
Choir to Pedal | Choir to Great |