Markbass Little Marcus 800 Bass Amp Head

Manufacturer: Mark Bass
Availability: In Transit To Us
Normally: £602.00
Discount Price: £549.00
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Normally £602.00
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Markbass Little Marcus 800 Bass Amp Head


This is the 800 Watt Version
Marcus Miller Signature Bass Head

Key Points
  • 800W RMS @ 4 ohms
  • 500W RMS @ 8 ohms
  • EQ1 & EQ2
  • Only 3Kg

  

Markbass Little Marcus 800 Bass Amp Head

This is the 800 Watt Version

Little Marcus 800

When our Top-Artist MARCUS MILLER announced at NAMM 17 he was joining forces with Markbass, he said him and Marco De Virgiliis were looking forward to doing some very cool things together the same year… they kept their promise!
 

Marcus Miller is renowned for his groundbreaking style and trademark sound, and Marco De Virgiliis is considered an innovator being the first pioneer introducing lightweight, portable, powerful and great sounding bass heads and cabinets. The Marcus Miller signature series is the result of the meeting of these groundbreaking roads.
It has been really exciting for Marco working and developing a series of products with Marcus, as since the moment he started building his very first amp he has been thinking about him. It’s not just an endorsement but a dream coming true.
We have 100% satisfied him and everyone will immediately recognize his sound in every product of his signature lineup, but these amps not only let you sound like him, they’ll make you able to cover all the different tones you need, with no limits!!!

The LITTLE MARCUS 800 not only suits Marcus needs and taste, but is a great choice for every bassist who needs a head amp with an amazing clear definition, punch and dynamic, respecting the priority of tone like all the Little Mark heads, plus its 800W MPT power amp makes this head a great choice for big-stage applications, and for louder bands. 
It offers simple and very effective controls on EQ1 to taylor your sound for any kind of genres and styles, and the two new Old School and Millerizer filters featured on EQ2 taylored together with Marcus allows to quick obtain a vintage tone or an amazing slap sound.


INPUTS

    INPUT: impedance 500 Kohm, max. voltage 9 Vpp
    EFFECT RETURN: impedance 33 Kohm, max. voltage 10 Vpp

CONTROLS

    GAIN: -46 dB to +23 dB range
    MASTER VOLUME 
    LINE OUT LEVEL
    MUTE switch
    GROUND LIFT (switch on rear panel)
    PRE/POST EQ (switch on rear panel)
    FSW input for (optional) footswitch to turn on/off EQ1 and EQ2

EQUALIZATION

EQ1

    ULTRALOW: Level ±16 dB (Freq. 65Hz)
    LOW: Level ±16 dB (Freq. 180Hz)
    MID: Level ±16 dB (Freq. 500 Hz)
    HIGH MID: Level ±16 dB (Freq. 1.4 KHz)
    HIGH: Level ±16 dB (Freq. 3.8 KHz)

EQ2

    OLD SCHOOL: Variable LOW PASS From 20KHz to 200Hz
    MILLERIZER: 5-12 KHz BAND PASS Filter (Level 0 /+10 dB)

OUTPUTS


    LINE OUT: balanced XLR, max. voltage 20 Vpp
    EFFECT SEND: unbalanced, max. voltage 20 Vpp (pre-EQ)
    TUNER OUT: unbalanced, max. voltage 2 Vpp
    SPEAKER OUT: speakon/1/4" combo

OTHER


    WEIGHT: 6.61 lbs / 3 Kg
    WIDTH: 10.87 in. / 27.6 cm
    DEPTH: 9.84 in. / 25 cm
    HEIGHT: 3.27 in. / 8.3 cm
    OUTPUT POWER: 800W RMS @ 4 ohms / 500W RMS @ 8 ohms
    POWER REQUIREMENT:100/120V; 230V; 240V - 50/60Hz (Voltage is factory preset according to region of sale)

Minimum ohm load for all Markbass heads is 4 ohms.
Markbass amps/combos are manufactured to be sold and used in the country of purchase, and they are factory preset to that country’s voltage. Due to homologation issues, the voltage may not be changed.
Rack ears do not come included with this head.
Product specifications are subject to change without notice.

 
“I'm excited to announce that I'm joining forces with Markbass Amps, we're looking forward to doing some very cool things together this year. Keep an eye on us!”
An album entitled Renaissance is long overdue for the widely acclaimed Renaissance Man Marcus Miller. In among the most enviable careers in music, Miller is a two-time Grammy-winner and the composer/producer of ten critically acclaimed and genre-defying albums (seven studio and three live). Even the most devoted follower may be astonished to realize that Renaissance is only his eighth studio project since his 1983 debut, Suddenly, considering the abundance of occasions Miller’s name has appeared within album credits and that he has dazzled with performances, compositions and productions – in the company of some of the world’s most respected and accomplished players and superstars - from the mid-`70s to the present.

As a multi-instrumentalist, Marcus is highly proficient as a keyboardist, clarinetist/bass clarinetist and, primarily, as a world-renowned electric bassist, topping critics' and readers' polls for three decades. His résumé as an A-list player brims with over 500 recording credits as a sideman on albums across the spectrum of musical styles: rock (Donald Fagen and Eric Clapton), Jazz (George Benson, Dizzy Gillespie, Joe Sample, Wayne Shorter and Grover Washington, Jr.), pop (Roberta Flack, Paul Simon and Mariah Carey), R&B (Aretha Franklin and Chaka Khan), hip hop (Jay-Z and Snoop Dogg), blues (Z.Z. Hill), new wave (Billy Idol), smooth jazz (Al Jarreau and Dave Koz) and opera (collaborations with tenor Kenn Hicks and soprano Kathleen Battle).
As a film music pro, Miller rose from writing the go-go party classic "Da Butt" for Spike Lee's "School Daze" to becoming the go-to composer for 20+ films (from the documentary “1 Love” to the animated children’s fable “The Trumpet and The Swan” to the Eddie Murphy/Halle Berry classic “Boomerang”).

As a producer, writer and player, he was the last primary collaborator of jazz legend Miles Davis, contributing the composition and album "Tutu" to the canon of contemporary jazz music. The breadth of his collaborative talents were best showcased in his work with the late, great soul man Luther Vandross, contributing to well over half of his albums as a producer, composer and/or player on a string of hits capped by "Power of Love/Love Power" for which Marcus won his first Grammy, 1991’s R&B Song of the Year.

And starting with David Sanborn's 1980 album Hideaway and its follow-up Voyeur (for which the alto sax giant won a Grammy performing Marcus' composition "All I Need is You"), Marcus not only left an indelible mark on Sanborn’s distinctive sound, he laid the often-copied blueprint for the coolest of contemporary jazz sounds.
Style, soul and intense professionalism have set Marcus Miller at the top of his game for three decades now. Marcus was born in 1959 and raised in a musical family that includes his father, William Miller (a church organist and choir director) and jazz pianist Wynton Kelly. By 13, Marcus was proficient on clarinet, piano and bass guitar, and already writing songs. Two years later he was working regularly in New York City, eventually playing bass and writing music for jazz flutist Bobbi Humphrey and keyboardist Lonnie Liston Smith. Miller soon became a top call session musician, gracing well over 500 albums, recording with musicians and in countries around the globe - from Frank Sinatra and Elton John to Bill Withers and LL Cool J.

After two R&B-leaning solo albums for Warner Bros. in the `80s followed by co-leading The Jamaica Boys (with drummer Lenny White and singer Mark Stevens), Marcus took a hiatus then returned rejuvenated with the galvanizing The Sun Don't Lie (1993) and Tales (1995), both of which found him brilliantly connecting the dots of Black music's evolution. Following the fan-demanded Live and More in 1997, Miller released M2 ("M-Squared") on his own 3 Deuces Records label and won his second Grammy, 2001’s Best Contemporary Jazz Album. A second double live CD, The Ozell Tapes: The Official Bootleg (2003) came next, followed by Silver Rain (2005) and Marcus (2008) (released as Free in Europe and Asia) featuring his Grammy-nominated crowd-rouser of Middle Eastern Funk, “Blast.”

2007 found Marcus in a new realm, as host of the North Sea Jazz Cruise, followed by the Playboy Jazz Cruise in 2009 and subsequent Smooth Jazz Cruises annually. In 2008, he co-led the all-star bass trio S.M.V. with Stanley Clarke and Victor Wooten for an album (entitled Thunder) followed by an extensive world tour. A concert Marcus arranged and produced with his own band and The Monte-Carlo Philharmonic Orchestra featuring trumpeter Roy Hargrove and vocalist Raul Midon was recorded the same year and subsequently released as A Night in Monte-Carlo. In the fall of 2009, Marcus put together a new band of young musicians for “Tutu Revisited” - a project that started as a special one night only event to coincide with the acclaimed We Want Miles exhibit at Cité de la Musique in Paris - then became a two-year global sensation beautifully captured for posterity on the CD/DVD Tutu Revisited featuring Christian Scott. In 2011 Marcus went on from Tutu Revisited to co-lead another trio DMS, a funk-jazz collaboration with George Duke and David Sanborn. In the summer of 2012 Marcus conceived of and produced the “Tribute to Miles” tour, a 9-city tour of Europe with fellow Davis alumni Herbie Hancock and Wayne Shorter, in which they presented their unique vision of every era of Miles’ music.
In the midst of all of his tours, Miller still miraculously made time to continue working in the studio, co-producing George Benson’s concept album Songs & Stories and Dave Koz’s Grammy-nominated CD Hello Tomorrow. He also co-produced a track with Herbie Hancock and internationally renowned singer Juanes entitled “La Tierra” for Hancock’s ambitious The Imagine Project.

Now, duly fortified and deeply inspired, Marcus Miller returns to composing and exploring new music of his own on Renaissance with a sharper focus than ever before, a new band of curious and like-minded young musicians, and a mission to travel the world – country by country, city by city, venue by venue – to take the message of this musical movement straight to the hearts, souls and minds of the people.




Important Note
Price errors and omissions excepted - An order is considered finalised on dispatch. No monies are debited from your card until the item is in stock or by prior arrangement.

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