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Promenade Music offer access to the full range of Bluthner upright pianos including the Model A (124cm) . Model B (132cm) . Model C (118cm) . Model D (116cm) . Model S (145.6cm).
Call Promenade Music on 01524 410202 or email us on [email protected] for information and pricing. Back to All Blüthner Upright Pianos.
If you choose to own a Bluthner piano, you’re in good company. For generations, pianists and composers including: Brahms, Prokofiev, Shostakovich, Debussy, Rachmaninov, Kempff, Liszt, Wagner, Grieg, Shostakovich, Dvorak, Bartok, Furtwangler, Schumann, Ravel, Bruckner, Mahler, Reger, Strauss, Rubinstein, Tchaikovsky, Liberace, and Andrew Lloyd Webber have all enjoyed Blüthner pianos… and let’s not forget all those tracks that were recorded on the Bluthner at Abbey Road Studios in London which can be heard on The Beatles’ ‘Let It Be’ and ‘The Long and Winding Road’.
Ever since 1853, the Bluthner family has been developing and refining the identity of the instruments it creates. Founded upon classical methods of construction, Bluthner sets distinctive, ground-breaking new standards in sound and expression.
With the Bluthner Model D, Bluthner has produced a revolutionary piano with a modern design that would suit any interior. A true style icon, the beautifully designed Model D comes with chrome fittings. With a function over form approach as illustrated with its full length music desk, the piano has clean lines and is certain to be a focal point of your room. The newest addition to the Blüthner upright range, the Model D comes with a Renner action and fine Abel hammers, making it an ideal choice, offering Blüthner’s classic Golden Tone and responsive action in a compact cabinet.
Bluthner Pianos History: 1853 Founding & Innovation
Follow a successful company history that, at the same time, is also a family history. In the middle of the 19th century, the city of Leipzig was one of the cultural centres at the heart of Europe equal to Paris, London or Vienna. The enlightened and affluent middle-class of Leipzig was very ambitious, self-confident and open-minded, and the city itself was already well known for its international trade and its university. Changing social conditions due to the industrial revolution meant that scientific and cultural education was no longer reserved for the aristocracy. The people of Leipzig prospered. It permitted the city to maintain the University, the St. Thomas Choir, the Opera, the Gewandhaus Orchestra and the Academy of Music, founded in 1843 by Felix Mendelssohn-Bartholdy. The Blüthner family was part of the musical tradition of the city and inspired by the entrepreneurial spirit in Leipzig.
These were convincing reasons for Julius Blüthner to open his piano factory, which became a highly successful enterprise. On 18th November 1853, having acquired a sound knowledge of piano-making, Julius Blüthner started his pianoforte factory. The Blüthner instruments achieved acclaim and rose to prominence amongst the myriad of competitive piano makers of the day remarkably quickly. Julius innovations set his instruments apart, and his theoretical drawings were published and studied by countless piano building masters throughout Germany.
Soon the instruments captured the attention of experts, top pianists and musical authorities. Blüthner pianos won top prizes at world exhibitions around the globe, including the Philadelphia World’s Fair in 1876 where Julius remarkable 4th string Aliquot design won a gold medal and would influence the Golden Tone of Blüthner pianos evermore.
